Saturday, 24 December 2022

Eurovision 2023: The First Impression - Albania

 

First Thoughts:

I have not watched FiK so there are not many things I can say regarding Albina and Familja Kelmendi's win.

Duje is a typical Albanian/Balkan dirge that will have some appeal in the region and the Albanian diaspora. I guess that we will have the traditional revamp so it might be a bit early to judge this version, but it does seem a weaker entry compared to the ones that Albania has recently sent in the Contest.

Rallying 100% in diaspora and neighbours is its biggest problem though...North Macedonia and Montenegro which are responsible for the biggest chunk of points for Albania (1st and 5th respectively for the 2014-2022 period) are no longer here to give their support.

That means that Albania will need at least two of Italy, Greece, and Switzerland in its Semi-Final and/or a high score from the rest of the world televote to have some hopes for the Final. 

Albania will need approximately 55-60 points to secure the qualification and that could prove tricky with a bad running order as well. Slots #2 to #4 and #10 and #11 could kill their chances. 

Resuming, Duje is an entry that will depend on the Albanian diaspora and a good running order. I fail to see how they can reach the threshold having a minimal impact in western audiences.


It reminds me of...

Albania '07, '11, '19


Televoting Potential: 5/10

Jury Potential: 6.5/10

Staging Potential: 6.5/10

Momentum: 5/10

My Opinion: 5/10

Total: 28/50


What the fair winning chance % would be?

0.01% - 0.10%


Best case scenario:

Marginal qualification and then finish 18th-22nd

Worst case scenario:

Fails to qualify and a Bottom-3 finish

To Qualify or Not to Qualify? That's the question

Not to Qualify 60%-70%


What do I see in my crystal ball?

A bad running order in the Semi - Final and a clear non qualification place and score.



Sunday, 18 December 2022

Eurovision 2023: The First Impression - Ukraine

First thoughts:

Tvorchi was my fourth or fifth favorite to win Vidbir 2023, but you never know with Ukraine...Maybe we have the first Vidbir winner since 2018 that will represent the country in Eurovision.

Heart of Steel is a typical host entry, where the broadcaster makes everything in their power to avoid winning again. 

If this were any other country's entry for this year, I would expect a result like the host entries from 2017 to 2021, Bottom-5 or near there. But we are talking about Ukraine which is still in war and has achieved an amazing result last year, mostly because of that. They currently have the biggest diaspora in Europe and many friends and allies that would show their support by voting for them in Televoting and Juries.

It is exceedingly early to tell how the situation in Ukraine will be in May and this is a deciding factor for Ukraine's performance regarding the amount of sympathy votes. Which brings us to the subject of this article...

Would you recognize Heart of Steel as the Ukrainian entry if you did not know the country it comes from? It is a contemporary entry, Ukraine has an amazing track record in staging and will have support from diaspora and friends, but this song has no winner vibes at all and no identity. The melody is rather forgettable, and a serious downgrade compared to the recent Ukrainian entries. It will seriously test the theory that Ukraine can win the contest again no matter what they send. 

Is Ukraine signaling that they are preparing for the next day? Are they opening themselves to the world showing that they have more than folklore songs? It looks like it. There were other entries that would do better with the sympathy vote and would play the 'we are in a war card' but public and jury have chosen the difficult path.


It reminds me of...

Belgium '22


Televoting Potential: 8/10

Jury Potential: 6.5/10

Staging Potential: 8.5/10

Momentum: 10/10

My Opinion: 6.5/10

Total: 39.5/50



What the fair winning chance % would be?

0.5%-3%


Best case scenario:

Win if war is still on and high on the agenda

Worst case scenario:

Right hand side of the scoreboard if war is over and news have moved on


What do I see in my crystal ball?

5th-12th if the war is still on, 12th-20th if the war is over by May (I truly hope it does)



Wednesday, 7 December 2022

The one about the Voting changes and the Vidbir preview

 It was only last August when I shared some thoughts about the next Eurovision and one of my talking points was that a voting reform was needed, and I was somehow expecting it to happen. I was not surprised to see the viewers from non-participating countries earning the right to vote, it was a matter of time to happen especially now that more countries have withdrawn but going back to 100% televoting for the Semi-Finals was something that I would have never predicted, and the reason is quite simple.

EBU is not trying to solve the problem with rigged votes because that could have caused more withdrawals, they are just trying to win some time and make happy some of the countries that were struggling with the split votes.

But those of you that were following Eurovision back in the '00s will remember that there was another problem that will be coming back and that is the extra boost for the countries with diaspora (Lithuania, Romania, Poland, Ukraine, Greece, Serbia, Albania). Having two Semi-Finals instead of one like in the 2004-2007 and the allocation draw will smooth the problem a bit at least for a few years. 

The reason EBU goes back to that system is very simple. They are shuffling the deck to avoid having more withdrawals in the future especially in Eastern Europe. Had North Macedonia and Bulgaria known EBU's intentions, I am sure that they would think it twice before dropping out. Bosnia and Turkey could also be tempted to come back next year as well.


What do the voting changes mean for the Semi Finals?

It will be interesting to see if any of the national broadcasters will change the rules/format of their national final/selecting process.

ERT has already announced that they will be opting for a mix of a professional and a demoscopic 70-member jury.

NRK has also changed the format of MGP dropping the guaranteed places in the Final, the duals between artists and the second chance and will re-introduce an international jury in the Final.

We shall wait for more adaptations in the following weeks.

During the 2016-2022 split voting system era, in a total of 12 Semi-Finals, 18 songs were saved by the televoters and 14 were saved by the Juries. Countries with a poor qualifying record get a chance to risk more and achieve a better result. Some of them could get away with it and qualify to the Final, hopefully not dropping the quality level that could already drop because of the smaller number of participants. At the same time, the jury magnets will have their chance to shine if they can attract enough points to qualify to the Final.

Running order suddenly becomes very important, with countries performing in slots #2 to #4 being in serious trouble. Slot #2 has 1/12 qualifications and slots #3 and #4 have 4/12. You need to reach slot #5 to find a winner and some decent podium results. The jurors are not there anymore to support and balance things. 

In the second half, only slots #10 and #11 have a negative qualifying record (5/12 both) so a second half draw means an almost automatic qualification. Needless to say, the later the better.

I would be curious to see if any of the 'usual suspects' will try to sabotage its televoting and rely on a 100% jury result...


Vidbir at the end of the month: Have we heard the winner already?

Having heard the songs, there is one that clearly sticks out and that is Jerry Heil's 'When God Shut the Door'.

 Krut's ' Kolyskova' is the underdog and I struggle to find another entry that could win the whole thing.

The talking point for the second year in a row will be again if Ukraine can/will win again and once again the answer is that is too early to call it.

Judging from the two and a half minutes audio, WGSTD in a normal year could have been a 5th-12th song, but again this is not a normal year and Ukraine is not getting the points based on meritocracy.

The war will be the main factor and assuming that hostilities will still be happening, Ukraine will still have the public's support. No one can predict if it will be in the same scale as last year, but let's not forget that Ukrainian diaspora exists throughout Europe and could single handedly secure the Televoting win. There are some friends and allies that will also support Ukraine and Juries again will be the turning point. 

Politics could secure a minimum of 100 Jury points and Ukraine starts the voting with a minimum of 350-400 points looking for the extra 100-150 points that will secure their win.

The Ukrainian win is currently trading @3.30 and has taken 73% of the total sum invested so far. The odds obviously are wrong for this time of the year and will not change my approach compared to last year.

Winner or not, Ukraine's unique situation creates opportunities elsewhere and the best time to invest on them will once again be during the first half of the Jury voting. Until them, I am bracing myself to see those 1.40-2.00 odds available after March...

Eurovision season is around the corner and posts will be posted more often from now on. 

Let's hope we will have a great year!